Isadora Canela is a Brazilian visual artist and filmmaker with projects related to social and environmental impact. Since 2019 she’s developing, the project “À Sombra do Sol” (On the shadow of the Sun), a feature film in production by her about indigenous astronomical knowledge. In 2022 she worked with the city of Munich in partnership with Akademie of Fine Arts Munich, in the artistic residency “artist in residence Munich” with the installation project “Over the Mine” about the consequences of mining and researches about decolonisation of the soil. In 2021, she was part of the exhibition “Body and Self” in Berlin organi-sed by Counterpoints with the video-art “Tabula Rasa” reflecting on the organic elements that unites us as human beings. In the same year she was also part of instructional performance residency and exhibition "Coexistence Impacts” from Sesc Santana, São Paulo, Brazil, about new agreements in anthropocene era. In 2020, she directed the experimental and political video clip "Leviatã", which mixes technology and art by approaching the historical panorama of fake news to to denounce the serious abuses of power during the Bolsonaro government in Brazil and the Trump government in the US. In 2019, she directed the short documentary film “Linhas Tênues”, about labor analogous to slavery in the fashion industry, which has been shown at festivals around the world, such as LABFF and Demakijażt. She graduated with honor in Social Communication - Journalism at the Federal University of Viçosa in 2016.